Sacred Ink
Sacred Ink centers Indigenous tattoo artist Missy Mahan, who speaks on the reclamation of Indigenous tattoos and their vital role in cultural preservation.
Tony
Tony Bryant (Navajo) reflects on his lessons learned from his youth, and how he used them to become a better version of himself.
WÍICHKɄ PAA TUKWA PɄNI WɄNI (Stand, Looking Toward the Future)
Experimental, First time filmmaker, Native Lens Media Fellowship, Nature/Environment, Non-fiction, Youth
WÍICHKɄ PAA TUKWA PɄNI WɄNI (Stand, Looking Toward the Future) draws a parallel between the Ute Circle of Life and the Southern Ute practice of electing tribal royalty to act as young leaders for the tribe. As the colors and significance of each season mark the film’s chapters, the 2023-2024 Southern Ute Royalty speak on the value of preserving cultural traditions and serving as ambassadors for their people.
Hi, My Name is Lilliana
In her first film, Lilliana Rice addresses the complexities of working as a mixed race filmmaker and animator.
Ha Txan Tsi. An Ka Li (We Come Home After)
“Ha Txan Tsi. An Ka Li (We Come Home After)” delves into the struggles and complex identities of Native American veterans as they return home, exploring the “Warrior’s Paradox” and the healing power of tradition.
MMIR Exhibit at Fort Lewis
The Rising Matriarchs is a club at Fort Lewis College in Durango who collaborated with the Center of Southwest Studies to create a group project raising awareness about Missing and Murdered Indigenous Relatives.